WORK EXPERIENCE

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February 2017-June(available immediately)

 

The Red room feature film

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Production Coordinator and Script and continuity supervisor

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My job as Coordinator on the set of The red room was to schedule the hole shoot, to arrange with all agents, deal with extra’s casting, fill out progress reports, lock down locations, attend to location agreements, organize staff for the film and communicate with cast and crew. I was also responsible for Call sheets on a daily basis and attending to any e mails and queries via any respective parties. I also took part in Continuity on set for the film and offered my assistance in training lady in continuity and script supervision. 

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WORK EXPERIENCE

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January 2017

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Las Agency

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Jägermeister shoot

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My job of the extra was for the director to use the in the background as a dancer and actors, to populate the scene. I was used as a extras casting director whom looked for clean cuts, in a international advertisement. 

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Quality control and Final Cut Pro Editor

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December 2016

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Eish Productions

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I took part in checking each video’s content was placed according to script. I manually fixed any spelling and grammar mistakes made on Afrikaans videos. Each strap had to line up with certain parts on the scrip and had to be created as apart of my responsibility. I also took part in fixing dialogue mixes and mastering where there was audio noise interference or handling noise was at a point of un recognition.

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Each video’s content could be used to help lecturers learn how to interact with students therefore it is vital for the correct information to be relayed to the viewer as per script content and this was where the quality check came in. Each video was carefully QC’d and analyzed to insure it was prepared for publishing. 

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Script and Continuity supervisor

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October 2016-November 2016

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Oxyg3n Media

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Why size matters-BBC International documentary

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As apart of the international below-the-line crew as continuity on set my duties included keeping track of which parts of the script have been shot on a daily basis and making notes of any deviations between what was actually filmed and what appeared in the script. As we worked with multiple VFX I took notes on Inclination and Heights as well as distance between props or person as per every shot. I kept track of props, blocking, and other details to ensure continuity between shots and scenes matched with the VFX.

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I made sure that actors' movements, the directions they matched in a shot and the positions of props they were using matched from shot to shot. If there were any apparent mismatch, I informed the director immediately so that it can be reshot before the lighting setup has changed or before the location was wrapped. I meticulously took notes and was required to provide diplomacy to advise the director that they may have a problem editing something just recorded.

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I kept track of scene numbers and take numbers to the first, second, third and fourth camera to assistant corrections for the slate, as well as to the sound mixer. I clearly noted which take the director has chosen to be used (as a "print," in film terms) in the finished product. All of this information is then gets relayed to the editor on the shoots wrapped in the form of copies made of both the script supervisor's notes as well as their matching script pages. I also took part in matching the Green screen VFX shots to the Green screen shoots in studio and insured movements matched the environment the footage was first shot on.

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Scrip and Continuity supervisor

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January 2016-October 2016

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Overberg productions       

                                                             

Getroud met rugby-Die sepie

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As HOD of continuity on Getroud met rugby my duties included, Continuity of storyline, Continuity of action and dialogue, recording and accessing all information regarding the screenplay and any scenes, which have already been shot.

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Knowing if there is a need for any additional coverage or re-shoot or link shot. To make definitive technical decisions in a crisis or when there is doubt and liaise with the film director before and during principal photography regarding all of the above. 

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Pre-Production included, Timing breakdown, Continuity breakdown, Screen-day breakdowns, Page-count breakdowns,
Checking that all aspects of continuity are in place before shooting i.e. proactively working in advance to prevent errors which may arise. 

Production included, Matching action and dialogue during shooting, taking reference photographic information to be available at all times for matching purposes (Polaroid or Digital) Knowledge of scene coverage discussed in advance of shooting each day with director and sometimes producing a shot list for key personnel, ensuring that all shots will have matching eyelines based on Master coverage and that camera is appropriately placed, making sure of the execution and completion of that coverage and to offer advice when (and if) additional cover is required - or when a particular shot does not work. 

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Providing the editor with appropriate shot information of that coverage both on Continuity Reports and on the Marked Up Scripts. 
To provide editor with all information regarding script changes made to either dialogue or action during shooting on a Marked Up Scripts. 

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Production Coordinator

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December 2015

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Red Dot Productions

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Peak-Nigerian Advertisement

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As the Production coordinator on the Peak 145 Nigerian Advertisement, I made sure that all tasks ran smoothly and without any hiccups. I assisted staff and crew as I was needed and on call for any emergencies within the production. I took part in organizing equipment, child labor permits, crew and any other necessary instructions handed over to me.

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I took part in meetings and insured everyone was on call at the right time and that all schedules were changed in time and given out to the necessary crew and cast well before hand to insure everyone had a full understanding of location and call times.

Script and Continuity supervisor-Assistant Director 

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Script and Continuity supervisor-Assistant director

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November 2015

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Luna Films International

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Mznzi Magic films “Fong kong” and “My Girl”

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My position as continuity and AD required organizational skills, resourcefulness and the ability to handle a multitude of tasks simultaneously under often high-pressure situations.

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My tasks include ensuring the film comes in on schedule while maintaining a working environment in which the director, principal artists (actors) and crew can be focused on their work.

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As continuity and AD , I kept track of the script and what parts of the script have been filmed and make notes of any deviations between what was actually filmed and what appeared in the script. I make notes on every shot, and keep track of props, blocking, and other details to ensure continuity from shot to shot and scene-to-scene. An important part of my position requires is to make sure that actors' movements, the directions they are looking in a shot, particularly when speaking to or responding to another actor, plus the positions of props they are using and every thing else in the shot matches from scene to.

 

All of this information is then relayed to the editor every day after shooting has wrapped in the form of copies made of both the script supervisor's notes as well as his or her matching script pages.

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I also assisted the director in keeping track of time on set and keeping track of crew and cast. I assisted in shot sizes as well as helped with direction, as it was required.

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Script and Continuity supervisor-Assistant director

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September 2015 -November 2015

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Luna Films International

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KykNet Ons Stories

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KykNet presents Ons stories.  As apart of the Ons stories crew, my duties include, Assistant directing, script and continuity supervisor.

I have taken Part as the above-mentioned positions in the following movies running in the “Ons stories” KykNet Drama series:

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1.”Begrawe my”

2.”Vra vir Vladimir”

3.”Die Heks van gelukspoort”

4.”Amok”

5.”More as ek Groot is”

6. “Die Monster”

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A breakdown of my duties on set:

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As the on set production continuity for KykNet “Ons Stories” Series, my position requires adapt organizational skills, resourcefulness and the ability to handle a multitude of tasks simultaneously under often high-pressure situations.

My tasks include ensuring the film comes in on schedule while maintaining a working environment in which the director, principal artists (actors) and crew can be focused on their work.

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As continuity person, the script I keep track of what parts of the script have been filmed and make notes of any deviations between what was actually filmed and what appeared in the script. I make notes on every shot, and keep track of props, blocking, and other details to ensure continuity from shot to shot and scene-to-scene. An important part of my position requires is to make sure that actors' movements, the directions they are looking in a shot, particularly when speaking to or responding to another actor, plus the positions of props they are using and every thing else in the shot matches from scene to.

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All of this information is then relayed to the editor every day after shooting has wrapped in the form of copies made of both the script supervisor's notes as well as his or her matching script pages.

 

 

Production Co-ordinator and Junior Video Editor

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December 2014 -September 2015

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Eish Productions

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My position at Eish Productions included offering support to the team's Production Manager who had relocated overseas. 

As coordinator my duties included running the office management and give direction to the project Video Editors. I frequently had to liaise with our media supplying company to insure the project runs without hiccups.

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I ensure that all deadlines were met from the office stand point and delegate communications between the teams Production Manager and the team of nine Video Editors.

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I was in charge of movement within the project, editor assignments, and media allocations on a daily basis. A great deal of my job consists of building spreadsheets to control incoming media and outgoing exported videos.

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I take part in dealing with schedules to ensure heavy deadlines are met. Status updates occured daily to insure the communication demands were met between myself the team in my role as production coordinator.  

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Apart from delegating I also engaged in junior-mid level video editing for the Afrikaans department of the Vodacom e-school project. 

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Production and Music department Manager

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March 2014-November 2014

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Yourself Management

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As a part of my duties I was responsible to guide Mahltze Majie’s music career and bring to promote his career in the entertainment industry. I gave advice and acted as a producer to find a new fresh sound for his music career.  I was involved in the process of bookings and handling the financial accounts for the Music and Production department. I was also responsible for Public Relations and Human Resource activities within the Music and Production department.

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I took part in the editing promotional and training videos for Yourself Managements clients and supervision within the promotional campaigns. I was in charge of handling of the events décor for companies such as ATNS.

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Building the foundation of the production and music department was my main responsibility. I worked on financial budgets, gave weekly and monthly business reports as well as updates and business planning of the production and music department. 

 

Production Manager

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January 2014-March 2014

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Earworm Audio

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My duties included acting as the producer's/owners right-hand person, I took part in handling details for the producer such as contracting talent (musicians/vocalists/ agencies) for sessions, scheduling studio time, placing telephone calls, sending emails ensuring everyone was aware of when and where the session will be held.  

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Account Supervisor 

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November 2013-January 2014

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MICROSOFT CAMPAIGN(Yourself Management)

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My duties included managing the agency’s relationship with key clients, earn and keep each client’s respect and confidence as a trusted advisor bringing value to their business.

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I was in charge of the scheduling promotion ladies and took care of top line promotional supervision on a day-to-day basis. My duties included drawing up weekly status reports, and delivering the relevant feedback to our client as the voice of the Yourself Management team. 

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International UAE contract

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August 2013-October 2014

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United Arab Emirates

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Lead Vocalist and Sound technician Al Diar Siji Hotel, Fujheria in UAE. Took part in live performances with a four piece band on a daily bases for a period of three months.